“I’ve been a part of some really incredible projects that have felt like milestones this year, including Baby Keem and Kendrick Lamar’s I-D cover, as well as working with Megan Thee Stallion as her career has completely skyrocketed.

I’ve been very fortunate in that sense.”Ģ020 has been an enlightening time in the industry However, what became most apparent early on is that it really is about who you work with as opposed to what industry you work in, and that has really shaped my approach and creative outlook. “I grew up in a musical household, and my father, sister and brother all work or have been involved in the music industry in some capacity, so I had certain ideas about how it might be. In many ways, it wasn’t a traditional assistant role, because as part of such a small team I was lucky enough to be exposed to and involved with an incredible roster of clients, teams and different ways of working from very early on.” And, with no experience, that is where my career began. Nothing entry-level I had come across had really related to that until a friend forwarded me a job advert for an assistantrole at Huxley. I had graduated after studying English Literature and had been searching for expansive roles that would utilise an academic background and a creative approach. Here, she tells here music business story so far and explains why making a difference is at the heart of what she does. Rohani Coombes is junior talent representative at music talent agency Huxley.

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